“An ease and harmony of execution… giving not only the impression but the conviction that he LIVES THE MOMENT OF A PIECE WITH ALL HIS BEING…. 4) in appropriate style and technique… a poetic… fragmentary discourse… THE PIANIST… COMPARES WITH THE GREATEST.” – GEORGE ENESCU FESTIVAL AGENDA (Romania) “Demonstrated his abilities in the Beethoven (Concerto Nr. “IMPRESSIVE TECHNICAL SKILL AND ORIGINALITY… Guernica by Bernstein (was) a fresco abounding in conglomerations of vividly colored sounds… extremely authentic rendition of Gershwin.” – ROMANIA LIBERA “Played with extraordinary technical effect…thundering fortes… the most tender pianos… burst the bounds of conventional interpretation… episodic, improvisatory nature created impact… late Mozart Adagio (was) played with A TRUE INTERPRETIVE PASSION, loaded with weighty feeling… (in) Gershwin, THE WORK AND PERFORMANCE WERE ONE.” – OSTSEEZEITUNG
109 (in) its directness was a fascinating pleasure… COMMUNICATED IN A UNIQUE MANNER FIRE AND JOY OF PLAYING.” – MAGDEBURG VOLKSSTIMME
“A very powerful command of the keys… the Liszt Mazeppa was protean and packed with energy, truly dramatic… the Beethoven Op. 109 (and) Chopin’s G minor Ballade… enthusiastic applause.” – LEIPZIGER VOLKSZEITUNG “Pianistic and stylistic versatility…BOUNDLESS VIRTUOSO THUNDER AND DEMONSTRATION OF TECHNICAL CONTROL… absolutely convincing… shaping of Beethoven’s Op. “AN ENORMOUS, EVEN ARTISTIC FINGER AGILITY (in) the Liszt Mazeppa, well suited to the artistic nature of the pianist… interpretation of Debussy’s L’Isle Joyeuse had individuality as well as technical clarity… Rhapsody in Blue (was) very precise rhythmically and in a blazing tempo… wild virtuosity.” – LEIPZIGER TAGESBLATT “ Musical high point of ‘Leipzig’ Fair Program… very multifaceted program… DEMONSTRATED HIS SENSITIVITY AND TECHNICAL MASTERY… Powerful playing (and) individual use of rubato… triggered bravos at the end.” – WER IM LEIPZIG International Critics Review Pianist Hao Huang
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